Don’t tell the women in Iran who won the German Book Prize

In reading this, I suspect most readers with an IQ above room temperature will want to try and avoid reading Blood Book, undoubtedly a stupid, decadent farce. On the positive side, one could say that Germany’s cultural life is at least mirroring the extremely dilapidated state of the country.

After all, these days, classic texts are being savaged and highly talented actors and singers are forced to prostitute themselves for the most perverse staging idiocies. So the non-binary attention-seeker’s autobiographical musings should not be regarded as a particularly absurd phenomenon.

Kim describes itself as “hypersensitive and takes refuge in researching family history or in gross sexual excesses, which are described in detail”. Even the critics are disgusted – which should tell you enough.

Only people who claim to belong to the intellectual and literary “elite” sat down at the award ceremony in the Emperors’ Hall, the decorative highlight of the Römer, Frankfurt’s time-honoured town hall. Their loud applause, even cheering at the announcement of the winner, was nothing but an admission of the deepest misery and intellectual self-loathing.

The author was given the award because he is thoroughly representative of a cultural scene that is heavily taxpayer-funded, utterly corrupt and awash with moral turpitude. It has one main preoccupation: To ridicule a cultural nation all over the world as a collection of self-absorbed, deluded lunatics.

Since the self-inflicted policies of the German Atlantic cartel aim in the same direction against their own most fundamental national interests, the sexless person from Switzerland is by no means an outsider, but rather an integral part of a wretched literary production that will be financed, tolerated and never read.

The conceptual artist Maria Eichhorn at this year’s Venice Biennale (supposedly the most important art event in the western world) in all seriousness wanted to completely tear down the German pavilion and store the fragments somewhere in Venice for the duration of the Biennale. So nothing should surprise us anymore.

This madness only failed because of the millions in costs and ecological concerns. But in the end, Eichhorn dealt with the pavilion’s Nazi roots, at least in terms of conceptual art, which is always a winner in attracting subsidies.

With Germany’s Green Minister of State for Culture, Claudia Roth, everything is possible and no embarrassment is spared. The main thing is that “Kim de l’Horizon” dedicated its award to the protesting women in Iran, thus demonstrating loyalty to the Atlantic system and getting a standing ovation from the dupes in the Kaisersaal.

Hopefully the women in Tehran will never find out about who their supporters are in Germany – it could very much confuse them in their struggle for emancipation.